“So why call her bad? From her, kings are born.
From woman, woman is born; without woman, there would be no one at all. “ – Guru Nanak (AGGS, 473)
Mata Bhag Kaur, famously known as Mai Bhago, was a descendent of Pero Shah, a Muslim Dhillon Jatt who had converted during the time of Guru Arjan. Born in a village known as Jhabal, Mai Bhago was married to Nidhan Singh Varaich. She is known for persuading the Sikhs – that deserted Guru Gobind Singh ji in difficult times – to apologize for their action.
Mughals and hill chiefs had surrounded Anandpur, and were demanding it be evacuated. They announced that any Sikh who would say that “he/she is not a Sikh of Guru Gobind anymore” will be left untouched, while others will be done to death. A group of forty Sikhs, led by Mahan Singh Brar told Guru Gobind Singh that they were no longer his Sikhs. Guru Sahib asked them to put this in a document and sign it. They all did so, and left Anandpur.
When Mai Bhago heard of this, she was distressed. She rode to their gathering, and made them realize their mistake. She set off along with them and some other Sikhs, to find the Guru.
Guru Gobind Singh ji, who had to evacuate the fort of Anadpur, was now being pursued by the Mughal army. Guru Sahib’s youngest sons got lost in the confusion, and his eldest sons attained martydom in Chamkaur, where he had found temporary shelter. Guru Sahib then evacuated Chamkaur, and travelled in the Malwa region with several Khalsas. He reached the village of Khidrana, where he met up with Mai Bhago and the forty Sikhs. Together, they challenged the pursuing Mughal army, and fought furiously, forcing it to retreat.
After the death of Guru Gobind Singh at Nanded in 1708, Mai Bhago retired further south. She settled down at Jinvara, 11 km from Bidar in Karnataka where, immersed in meditation, she lived to attain a ripe old age.
Details of the painting
Aimed at a younger audience, this is Bhagat Singh’s first digital painting on Sikh history. It features Mai Bhago in the foreground, taunting; and the Chali Mukte, riding on horsebacks, in the background. The artist wanted all focus to be on Mai Bhago so he refrained from having Singhs right behind her, instead the Singhs were painted as part of the background.
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Artist’s recommendations:
The artist suggests that the painting is at it’s best when printed on paper or canvas of the following sizes:
Medium (16.0″ x 23.0″)
Large (22.3″ x 32.0″)
Grande (25.1″ x 36.0″)
The artist recommends the following papers, in ascending price and quality: (To buy paper prints, click on “Buy a Print”)
Smooth papers: Enhanced Matte < Ultrasmooth Fine Art < Photo Rag
Watercolour papers: Somerset Velvet < Torchon Fine Art
*Click on the "Customize" button, when purchasing, to access the broad library of papers
The artist recommends the following canvases: (To buy paper canvas, click on “Print on Canvas”)
Premier Art Canvas (glossy finish) and Piezo pro Matte Canvas (matte finish)
The artist encourages Museum Wrap/Standard Wrap over Gallery Wrap, so that no part of the image is lost.




